Showrunner
Leads the episode, maintains the production record, coordinates the crew, and brings approvals or changes to Mr. Oxford.
OPA TV Foundations · 25–30 minutes
Build a production plan that is ready for Mr. Oxford to review.
An episode begins with a plan—not a camera. First, learn the five parts of a complete OPA TV Pre-Production Check-In. Then use them together in the final assessment.
How Story, Crew, Talent, Locations, and Equipment work together in one complete production plan.
The Pre-Production Check-In
The form and this lesson use the same structure. Select an area to see the question it must answer.
Story
Record the purpose, audience, story angle, interview questions or script, required shots, supporting shots, opening, closing, and contingency.
Produces A story-ready pitch and usable recording plan
Learn each area separately. In the final assessment, you will combine all five into one complete production plan.
Planning area 01 · Story
Use three questions to turn an assigned event into a recordable story.
ASB transforms an empty build area into the Fall Dance haunted-house experience.
This gives the story a clear point instead of simply naming the event.
Show how ASB transforms an empty build area into the Fall Dance haunted-house experience through the perspective of ASB student builders, using student interviews and construction B-roll.
Knowledge check 1 of 3 · Story
Select the pitch that includes an audience takeaway, a useful perspective, and evidence to record.
Planning area 02 · Crew
Every role must be assigned to a trained student. One designated showrunner maintains the plan and brings every decision to Mr. Oxford.
Leads the episode, maintains the production record, coordinates the crew, and brings approvals or changes to Mr. Oxford.
Develops the angle, rundown, script, interview questions, opening, closing, and shot priorities.
Plans the required coverage, operates only approved equipment, protects recorded media, and reports technical problems.
Prepares copy and interviews, represents OPA professionally, checks names and facts, and follows the approved plan.
Organizes footage, builds the story, checks pacing and sound, adds titles and captions, and prepares the review cut.
Being assigned is not enough. Students must complete the training required for their production role.
Planning area 03 · Talent
Talent includes anyone interviewed or appearing on camera. The showrunner owns the request trail.
Confirm the proposed student is willing and available.
Name the student, period, day, time needed, and responsibility for missed work.
Bring the draft to Mr. Oxford before contacting the classroom teacher.
Send the approved request at least three school days before filming unless Mr. Oxford changes the timeline.
The teacher replies by email or gives Mr. Oxford verbal approval.
Planning area 04 · Locations
A location request must identify the purpose, date, time, place, expected length, and exact action being requested.
Teacher-controlled space
The classroom teacher controls a student’s removal from that class and filming inside that teacher’s room.
Shared or public space
An administrator or the area supervisor controls access to a public area or shared build space.
Material change
An absent subject, unavailable room, schedule shift, or new location goes back to Mr. Oxford before the crew proceeds.
purpose · date · time · location · expected length · requested action
Knowledge check 2 of 3 · Talent + Locations
Choose the one action Crew Blue is currently allowed to take.
Planning area 05 · Equipment
The Equipment section records the requested kit, checkout and return times, storage plan, backup plan, and recording limits. It does not check out a camera.
Equipment request
Before the kit leaves
If any equipment check fails, stop and bring the issue to Mr. Oxford before the kit leaves the room.
Knowledge check 3 of 3 · Equipment
Select every item that must be corrected before the camera kit is ready.
Final mission · Fall Dance
Complete all eight sections of the practice Pre-Production Check-In.
Crew Blue · Haunted House
The crew wants to interview an ASB student during class and record construction B-roll. The student is willing, but no request has been sent, no location authority has responded, and no interview questions have been submitted.
Final mission · 8 points
Answer every section using what you learned about Story, Crew, Talent, Locations, and Equipment.
Results · Transfer · Support
Submit the practice Check-In to generate section-level feedback.
—/8
Your answers and revision notes will appear here.
Section report
When you use the real system
In the real system, complete all five planning areas and submit the Check-In to Mr. Oxford. The crew follows the exact plan he greenlights.
Help and access
Bring workflow questions, refusals, changes, or equipment issues to Mr. Oxford. For technical help, reopen the Canvas lesson or contact the instructor. Use Tab, Enter, and Space for keyboard navigation.
Lesson sources
Oxford, R. (2026). OPA TV Production Workflow Contract [Unpublished classroom workflow].
Western Governors University. (n.d.). E-learning experience quality standards rubric.
This final mission is practice. A real production begins only after the completed Check-In receives Mr. Oxford’s greenlight.